Rumunska scena cveta i puna je zanimljivih lejblova, didžejeva i festivala koji su stekli međunarodnu slavu u prethodnoj deceniji. Ove subote Dragstor predstavlja dva festivala iz Temišvara, SABOTAGE i Launmomentdat. Domaću podršku pružiće MKDSL uživo, Chorbika b2b Bagheera i brAk. Karte mogu da se kupe na ulazu u Dragstor za 500 RSD.
Prvo izdanjeSABOTAGE Festivala se odigralo 2013. godine i posetilo ga je više od 2000 ljudi. Festival promoviše lokalne talente uporedo sa međunarodno priznatim artistima. Neka od imena koja su do sada nastupala na SABOTAGE-u su: Stallion’s Stud, Identified Patient, Tijana T, Delta Funktionen, Goldie, WhoMadeWho, i drugi. Launmomentdatje počeo kao mali studio parti 2013. godine. Tri godine kasnije održavaju svoje prvo izdanje pod otvorenim nebom koje okuplja međunarodno priznate i lokalne didžejeve. Tokom trodnevnog festivala ulaz je besplatan za sve, a prošle godine ga je posetilo 12.000 ljudi. Na festivalu su do sada nastupali:Sassy J, Raphael Top-Secret, Zaltan, Cosmo Vitelli, Djedjotronic, Chorbika, Interstellar Funk, Loefah, i drugi.
Romansoffje didžej i producent iz Bukurešta, osnivač Raw Tool lejbla i kolekcionar vinila. Izdavao je za Crème Organization, Mork, Sportiv i Solar Phenomena, između ostalog. Alur Duvaal dolazi iz Temišvara i rezident je oba festivala koja ćemo predstaviti u subotu u Dragstoru. Zanima ga melanholični tehno i mračni i hipnotički ritmovi.
Mi-tzu nastupa od 2012. godine, a od 2014. godine je član Freenetik Kru-a. Meša žanrove u setu punom gruva i energije i vodi publiku od stila do stila.
Uz Boogie Nights party serijal White City Soul kolektiva vraćamo se zlatnom dobu boogie i disko muzike 70ih i 80ih godina prošlog veka i pozivamo vas na podijum za igru i djuskanje do zore
KRШ & Inverza u subotu 22.2. od 23h vas u Gradu dočekuju još jednom beogradskom žurkom, ovoga puta uz line up: SUTONKaenRope
KRШ је organizacija koja se bavi promocijom tehno muzike i organizovanjem tehno žurki u Beogradu, a tokom 2018. i 2019. godine sarađivali su sa imenima kao što su Makaton, Paul Damage, Paal, Svreca, Ctrls i Exium.
Inverza je domaća platforma za klupsku elektronsku muziku. Do sada je u njihovoj organizaciji organizovano nekoliko žurki, a u januaru ove godine su u beogradski klub Dragstor doveli Sync 24 iz Londona, sa jos nekoliko stranih imena na lajnapu. U planu imaju i podcast i širenje delova platforme kroz više različitih modela, sve sa ciljem promocije zrelog klupskog andergraund iskustva.
21. Februara No Cap u organizaciji HAOS Official u K•P•T•M Studiju
Nastupaju Dj-evi: GVZDC; Yng Stevage i IV33. U studiju 2 gostuju Dj-evi: Cukar Dedi i UVEQ. Takođe će nastupati i Yan Dusk.
Možete očekivati sve od Night Lovella, Yung Leana i Pop Smoka do Skepte i D Double e-a. Vidimo se tamo!
Line UP:
GVZDC
Yng Stevage
IV33
2 guest DJs
Cukar Dedi &
UVEQ
22.02.2020 / 23-06am
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DISCO NOT DISCO
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Maenad Veyl LIVE
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Schwabe & Sloxxx
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400-600RSD
Maenad Veyl najnovija je inkarnacija Tomasa Feriera, mladog i talentovanog producenta elektronske muzike i inženjera zvuka iz Milana.
Kao producent prvi put se pojavio na sceni kao Avatism a ubrzo i kao deo projekta CW/A, sa izdanjima na etiketama Nonplus, Vakant, Decca, R&S i Parachute. CW/A album “Words Unspoken, Acts Undone” je proglašen za jedan od najboljih elektronskih albuma 2015 godine po mišljenju Trax magazina a njegove trake se često mogu čuti i u Dj setovima Aphex Twin-a.
Početkom 2018. godine se vratio na scenu sa novim projektima Maenad Veyl i Sarcasm Ensemble a pokrenuo je i etiketu Veyl zajedno sa Alex Knoblauch (DFA, Mute, Vakant).
Pored Veyl etikete njegova izdanja možete naći i na etiketama Death & Leisure (koju vodi Broken English Club), Pinkman i Bedouin Records.
Svojim zvukom Maenad Veyl je zamaglio “granice” između electro, techno i industrial zvuka, i vešto se nadovezao na klasičan EBM zvuk kasnih osamdesetih.
Tomas je nastupao u više od 100 klubova širom sveta među kojim su i Berghain, Tresor, Fabric i Concrete..
Jedan od najiskusnijih i najboljih “trep” dj-eva na našoj sceni ove nedelje u kptm-u.
Dj Enzzy je za vas spremio šestočasovni set najkvalitetnije trep muzike sa naših prostora kao i sjajan odabir kultnih i svežih traka sa prostora Amerike, Francuske, Nemačke i Italije.
ON FEB 21 ONE OF THE BEST CLUBS OUT THERE IS COMING TO DRUGSTORE!
GARAGE NOORD IS AN AUTHENTIC CLUB WITH A VERY DIVERSE PROGRAM, VARYING FROM WAVEY ELECTRO TO ECLECTIC PUNK . FOR MANY DJS, THIS CLUB IS A FAVOURITE SPOT FOR EXPLORATION ON THE DANCE FLOOR.
LINEUP / Garage Noord
PARRISH SMITH ( Dekmantel, L.I.E.S., Garage Noord)
MEREL (Garage Noord)
BK OWUSU & DAAN DJ (Garage Noord)
STEVIE WHISPER (Yes, Drugstore)
parrish smith is best described by his own words:
“no elitism, no prejudices, no 4/4, no genre.
hypnotic, tense, comprehensible, a state of mind.”
We all wanna see the progression in the electronic music today but only a few can push so many boundaries and buttons as Parrish Smith, who brings the energy that is taking forms of heavy music in different genres. https://soundcloud.com/parrishsmith
Merel aims to blur the borders of genres by searching for the new tracks that provoke her own musical framework.
Her home base is the intimate Garage Noord in Amsterdam, where she can experiment with wide range of sounds, but she will always be attached to the West Coast’s Intergalactic FM. Where they believed in her from the start.
Merel likes to avoid boredom at all times. https://soundcloud.com/mereltenbraak
BK OWUSU & DAAN DJ are the driving force behind the club Garage Noord. We can expect a good selection from these two – some diverse electronics, broken beats and plenty of good vibes!
Obsessed with sound and graphic design, Bryan Black started his music career as a sound designer and keyboard tech for Prince at Paisley Park Studios. While working for Prince, Black proceeded to create his own music- some of the most alien techno records released on labels such as Mute and Kompakt. These records caught the ear of Martin Gore from Depeche Mode. Soon after, Bryan was on tour with Depeche Mode with his band Motor, and recording songs with Martin Gore at his home in Santa Barbara. In 2011 after years of recording and touring with Motor, Bryan wrote “Engine 1” to start a new chapter- returning to his techno roots. Black Asteroid set about making techno from a new perspective, in a traditional song structure format. The Tirst EP “Engine” was quickly signed to CLR records by Chris Liebing, became an instant hit, and was a precursor to what soon became known as industrial techno. The fashion designer Rick Owens picked up on what was happening, and used Black’s music for his runway shows in Paris. The two quickly became friends and collaborators. Their next collaboration comes in the form of the debut album from Black Asteroid, out now on Last Gang Records. In 2018, Black and Speedy J went into the studio and came out with 12 songs, and released a string of EP’s on the Rotterdam label STOOR. These records quickly sold out. Songs such as “Blackest Eyes” and “the Devil is high” have become staples in the live shows from both artists.
Coming from Belgrade Serbia, Filip Xavi is recognized as one of the pillars of the local techno scene over the past decade. As a rebel against genre confinements he was always attracted to the timeless techno archetype. His music has been published on various labels : Dynamic Reflection, Subsist, Sonntag Morgen, Decoder Recordings ect. His debut vinyl for Sonntag Morgen in (2015) ( including Dasha Rush remix) and most recent output “Drone Behavior” EP on Decoder Recordings (2017) – both received notable support from the main players on the techno circuit. As Drugstore’s resident since 2013 he curated over 40 events and played alongside names such as: Rodhad, DVS1, Dasha Rush, Surgeon, Oscar Mulero, Phase, Dimi Angelis, Ancient Methods ,Shifted, Stanislav Tolkachev, Adam X, Elektrabel, Tommy Four Seven, Blawan, Developer, Vril, Jeroen Search, Abdulla Rashim, Inigo Kennedy, Bas Mooy, Kangding Ray, Pfirter … These sequences of events led to invitations to Berlin’s iconic Tresor club (August 2014 and November 2015). He likes to unfold his sets like many new chapters to a story of mysterious, debauched encounters through dazzling, post-apocalyptic soundscapes. Filip continues his sonic pursuit into the future ,with all the more simple intentions : affirming his style, levelling up his game, and always keeping on taking the audience into uncharted territories of sounds and space, where brutalist atmospheres reign supreme.
Self-described and self-defined as an epitome of eclectism, the well-established Belgradian techno duo Monosaccharide never stopped overcoming its crowd’s expectations ever since it first started as a band in 2012. Their darkly heady, dazing techno tracks already brillantly managed to cast an undefectible spell on any crowd for the past few years. Monosaccharide hardware only driven live performance is changing the perception of live performance but they just doesn’t fit into any conventional pattern, root of their style is techno but they are deleting borders between genres.
Shlømo is at the heart of the French techno underground. In just a couple of years he has swiftly emerged with his own distinctive sound, mostly on his own Taapion Records but also on influential labels like Delsin, Singular records and Arts Collective. Balancing real feeling with all important dancefloor function, his sets and productions marry stark moods with absorbing atmospheres and for that reason have found favour with key techno tastemakers around the globe. With a distinct ear for authentic grooves and mesmeric sound design, Shlømo is as captivating in the club as he is in the studio. His live show is an extension of that creative space and finds him cooking up compelling sound tracks using gear like a Nord 1, Korg MS20, Roland TR-8, Mikrokorg and Korg Mono/Poly, not to mention his atmospheric live performances under his full name ‘Shaun Baron-Carvais’, following the alias’ debut at Berlin Atonal 2017. As a DJ, too, he is a master of pacing and spacing and can trap you in a high pressure groove or allow you to drift on a dark mood with equal élan, either solo or with label mates PVNV and AWB under the Taapion Soundsytem moniker.
Alexandar Ivkovic started DJing almost 20 years ago. In the past two decades he has played some of Serbia’s biggest stages alongside techno superstars. His production output is connected to Desolat and has been supported by Loco Dice, Carl Cox, Umek and Richie Hawtin, to name a few.
Filip Xavi is known as Drugstore’s resident DJ who regularly delivers marathon sets and curates parties in our club, as well as a producer with notable releases on Subsist, Decoder and Sonntag Morgen. He founded Teskoba Recordings in 2008 and brought many names from techno’s hall of fame to Belgrade including: Rodhad, DVS1, Dasha Rush, Surgeon, Oscar Mulero, Phase, Adam X, Tommy Four Seven, Blawan and many more.
Mihajlo, the founder of HEAR.IT.FEEL.IT.MOVE.IT label and party night, has played Ministry of Sound, U60311, Milano Street Parade, Exit Festival, Lovefest and other underground venues around the globe. Within his HFM party night, Mihajlo hosted many important techno artists such as: Perc, Pfirter, Jonas Kopp, Inigo Kennedy, Rebekah, Kobosil, Edit Select and many other..
Mudrost has been a regular at HFM parties as well as other venues in Belgrade in the past decade. With his tasteful collection of lethal techno, Mudrost joins the lineup as the fourth representative of Belgrade’s techno scene.
Nemački projekat Kollektiv Turmstrasse, vraća se u Barutanu u petak 19. juna, kada će se za di-džej pultom naći i Lehar, jedan od producenata i di džejeva izdavačke kuće Diynamic.
Ulaznice su u prodaji putem Cooltix onlajn platforme po ceni od 890 dinara za parter i 1390 dinara za VIP terasu.
Karijera dua Kollektiv Turmstrasse započeta je pre više od dve decenije. Najveći uspeh donelo im je izdanje Sry I’m Late, za veliki Diynamic lejbl, sa kojeg se izdvojila numera Sorry I Am Late, jedna od top 10 pesama cele svetske elektronske scene i jedna od najprodavanijih pesama 2015. na Beatport-u. Oni su jedni od retkih umetnika iz house i techno miljea koji nude mnogo više od funkcionalnosti u svojoj muzici i uvek se ističu od mnoštva drugih artista.
Oni su jedini od retkih čija je muzika pravljena i za telo i dušu. Upoznali su se 1998. godine na žurci na kojoj su obojica puštali muziku. „Nije bilo puno muzičkih štrebera u regionu“ prisećaju se. „Bilo je skoro neizbežno da postanemo prijatelji.“ Muzička konekcija između njih dvojice ubrzo se razvila kroz redovne pohode na prodavnice ploča i kasne noći u klubovima i na festivalima. Svoj prvi zajednički studijski poduhvat napravili su tokom 2000. godine, bez usmeravanja u određeni pravac. „Sve je počelo u našem prvom stanu u ulici Turmstrasse“.
Prodavac ploča kod kojeg su kupovali muziku, čvrsto verujući u njihov zvuk, bio je katalizator za njihovu produkcijsku karijeru. Podstakao ih je da svoju muziku pokažu svetu i objave prvu traku Turmstrasse za lejbl Electronic Parlament, 2001. godine. „Bez njega ne bismo bili tamo gde smo danas. Verovao je u nas i puno toga nam je omogućio – objašnjavaju Christian i Nico.
Njihov filmski pristup 4/4 elektronici dobio je pohvale sa svih strana putem izdanja za Diynamic, Connaisseur i njihov lejbl Musik Gevinnt Freunde. Za njih je elektronska muzika umetnost, a ne nauka.
Kroz debi album pod nazivom Rebellion der Traumer (The Dreamer’s Rebellion), dvojac Kollektiv Turmstrasse predstavili su za tadašnje vreme, potpuno novi zvuk. Album je demonstrirao uspeh izvan sfera plesnog podijuma, pun hladne elektronske melodije, downtempo ritma i elegantnih vokala. Ubrzo nakon toga stigli su i remiksi za velike izdavačke kuće poput Cocoon, Get Physical, Soma, Poker Flat, Defected, Systematic i Traum, za koje su obradili trake poznatih imena od kojih su neka Trentemoller, Hot Chip i Terry Lee Brown Jnr.
Veoma su traženi širom sveta zahvaljujući svom live nastupu. Jedni su od stalnih saradnika Solomunove Diynamic izdavačke kuće – puštajući na Diynamic žurkama i objavljujući trake za lejbl.
„Naši su prijatelji već više od deset godina“, kaže Solomun. „Bilo je samo pitanje vremena kada će nam se pridružiti. Međusobni prijatelji, interesi i uopšte slična percepcija muzike i života nas je spojila.“ Dok je zvuk etikete evoluirao poslednjih godina, oduvek je postojalo mesto za Kollektiv Turmstrasse. „Jedno što svi imamo zajedničko je određena melanholija i harmonija u našim produkcijama.“ Za duo koji ne voli ograničenja, savršeno se uklapaju.
Njihov osećaj za emocije daje njihovim produkcijama ljudsku toplinu, omogućavajući im da svoje mesto imaju i u klubu i van njega. „Širok, otvoren, sveobuhvatan, ispomeran, jednostavan – to su reči koje koristimo za opisivanje našeg zvuka. Koristimo i digitalne i analogne elemente. Prvo i najvažnije je to što stvaramo muziku za sebe.“ – izjavili su Kollektiv Turmstrasse.
Lehar je poznat po emotivnim kompozicijama i setovima, a za sebe kaže da i dalje uspeva da sačuva mladalačku strast prema muzici, žurkama i uživa kada vidi osmehe koje izaziva dok je na sceni. Kada je reč o njegovoj produkciji, kompozicije koje pravi su ne samo emotivne već i intuitivne i osnova su kreativnog procesa ovog pravog umetnika. Njegov muzički manifest je mešavina zvukova i atmosfere dramatičnih efekata karakterisanih intimnim bas linijama i intrigantnim melodijama. Pored izdanja za Diynamic, zahvaljujući aktivnom radu i na remiksima, Leharova muzika se pojavljuje i na etiketama kao što su My Favorite Robot, Mood Music i Lost & Found. Leharovi emotivni di džej setovi reflekcija su njegovog pristupa životu koji je veoma spontan i strastven.
