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Dislokacija @ O3one

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Dislokacija @ O3one

Savremena praksa utemeljena na tradicionalnim vrednostima

Okosnica projekata je razmatranje o grafickom mediju kao formi umesto sredstva izražavanja. Težnja ka autonomiji samog medija, a upravo kroz novu procenu vrednosti istog. Smatram da grafika može biti legitimno i autenticno autorsko delo koje ima mogucnost identicnog ponavljanja, što se odnosi na karakteristiku medija, a ne dela nužno.

Shodno tome generišem otisak osloboden od faseta, margina, klasicne signature, on se potpuno sjedinjuje sa podlogom koja gubi ulogu nemog nosaca otiska i postaje aktivan element. Otisak više nije puki (s)likovni prikaz. Biva rasterecen piktoralnog elementa sve do površine, konkretne plohe, što ustvari i jeste. Startna pozicija u radu je ekspanzija kroz koju se u daljem razvoju prožimaju makro i mikro aspekti.

 Dislokacija @ O3one

 

Miloš Djordjevic roden je 1978. godine u Cupriji. Diplomirao na Akademiji Likovnih umetnosti u Prištini, a magistrirao na Fakultetu likovnih umetnosti u Beogradu. Clan je ULUS-a od 2005. godine.

 

Imao je sedam samostalnih izložbi. Ucestvovao je na preko 70 nacionalnih i medunarodnih grupnih izložbi, bijenala i trijenala (Makedonija, Rumunija, Madarska, Slovenija, Italija, Portugalija, Španija, Ceška, Poljska, Belgija, Kanada, SAD, Meksiko, Urugvaj). Nagradivan je više puta.

 

Izložba: DISLOKACIJA
Autor: MILOS DJORDJEVIC
23. 3 – 4. 4. 2009.

 

 

Exhibition: DISLOCATION
Author: Milos Djordjevic
23rd March – 4th April 2009.

Contemporary practice founded on traditional values

This project represents the idea of the media itself as a form, instead of mean of expression.  Pursuit for autonomy of media achieved trough the new evaluation of it. I deem that printmaking can be a legitimate and authentic work of art which has an ability to identically repeat itself and which is the characteristic of the media, not the work itself.
Therefore I generate print liberated from facets, margins, classic signatures, print eventually completely united with the ground which loses the role of silent print carrier, and becomes an active element. The print is not a bare pictorial display anymore. It gets disburdened of the pictorial element all the way to the surface, the plate, which actually is the print.
Starting point of this work was expansion within further developed macro and micro aspects.

Milos Djordjevic (1978) was born in Cuprija. Graduated at Academy of Art in Pristina and postgraduates on Faculty of Art in Belgrade. He is member of ULUS (Union of Fine Artists of Serbia) since 2005.

Have had seven solo exhibitions. Participated over 70 national and international group exhibitions, biennial and triennial (Romania, Macedonia, Montenegro, Slovenia, Italy, Spain, Portugal, Belgie, Finland, Poland, Czech Republic, Argentina, Mexico, USA, Canada). He was rewarded several times.